Bruce Davidson (b. 1933)
London
1960
Gelatin silver print
8 5/8 × 12 7/8 in.
Yale Center for British Art, Friends of British Art Fund
© Bruce Davidson/Magnum Photos
Monthly Archives: November 2016
Bruce Davidson: Arrest Of A Demonstrator. Birmingham, Alabama, USA. 1963.

Bruce Davidson Arrest of a demonstrator. “Damn the Defiant!”. Birmingham, Alabama, USA. 1963. © Bruce Davidson | Magnum Photos
JAMES BALDWIN: THE PRICE OF THE TICKET (trailer from the 1990 documentary)
An excerpt/trailer from the documentary, James Baldwin: The Price Of The Ticket Producer/Director: Karen Thorsen, Producers: William Miles and Douglas K. Dempsey
‘James Baldwin (1924-1987) was at once a major twentieth century American author, a Civil Rights activist and, for two crucial decades, a prophetic voice calling Americans, Black and white, to confront their shared racial tragedy. James Baldwin: The Price of the Ticket captures on film the passionate intellect and courageous writing of a man who was born black, impoverished, gay and gifted.
James Baldwin: The Price of the Ticket uses striking archival footage to evoke the atmosphere of Baldwin’s formative years – the Harlem of the 30s, his father’s fundamentalist church and the émigré demimonde of postwar Paris. Newsreel clips from the ’60’s record Baldwin’s running commentary on the drama of the Civil Rights movement. The film also explores his quiet retreats in Paris, the South of France, Istanbul and Switzerland – places where Baldwin was able to write away from the racial tensions of America.
Writers Maya Angelou, Amiri Baraka, Ishmael Reed, William Styron and biographer David Leeming place Baldwin’s work in the African-American literary tradition – from slave narratives and black preaching to their own contemporary work. The film skillfully links excerpts from Baldwin’s major books – Go Tell it on the Mountain, Notes of a Native Son, Another Country, The Fire Next Time, Blues for Mister Charlie, If Beale Street Could Talk – to different stages in Black-white dialogue and conflict.
Towards the end of his life, as America turned its back on the challenge of racial justice, Baldwin became frustrated but rarely bitter. He kept writing and reaching in the strengthened belief that : “All men are brothers – That’s the bottom line.”
Produced in association with American Masters and Maysles Films’ -notes on the film from the California Newsreel website, http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET
THE SCHOOL OF LIFE :: JACQUES DERRIDA (an ‘idiots guide’ to poststructuralist thought)
An enjoyable and surprisingly succinct summation of Jacques Derrida’s key concepts, albeit highly reductive. The School of Life Series is a wonderful “idiots guide”to the history of ideas. Their more recent output seems to be now centered on emotional and socio/cultural phenomenae, but still features their clipped, intelligent and wryly humorous bent.
DION JOHNSON, recent hard-edge abstraction from Los Angeles
Los Angeles-based painter Dion Johnson makes dynamic hard-edged works. Geometric forms mutate intuitively with graphic contrasting colors into delicately balanced compositions. Continue reading DION JOHNSON, recent hard-edge abstraction from Los Angeles
ARVID SMITH :: THE YELLOW PRINCESS
A TRIBUTE TO JOHN FAHEY
Digestif

EL HADJ TIJANI ÀDÌGÚN SITOU, Photographer, Mali, (1932-1999)
Tijani Sitou, of Yoruban ethnicity and born in Nigeria, apprenticed with a Malian photographer in the eastern city of Gao. He eventually settled in Mopti, Mali, in 1971, opening Photo Kodak, where he ran a thriving business until the 1990s. The studio proved so successful that Sitou funded a 1978 journey to Mecca, earning him the title El Hadj. Continue reading EL HADJ TIJANI ÀDÌGÚN SITOU, Photographer, Mali, (1932-1999)
Jack Kerouac & Neil Cassidy

SEYDOU KEITA, photographer, Mali
Seydou Keïta (1921 — 21 November 2001) was a Malian photographer. He is mostly known for his portraits of people and families he took between 1940 and the early 1960s and that are widely acknowledged not only as a record of Malian society but also as pieces of art.