Category Archives: ART

Goodbye Pauline Oliveros, R.I.P.

Pauline Oliveros, famed composer, philosopher, educator and experimental music pioneer has passed away at the age of 84. 

http://youtu.be/hMEP6sX8Y6s 

-from FACT magazine:

“As a founding member of the San Francisco Tape Music Center in the 1960s, Oliveros collaborated with Terry Riley, playing in the first performance of Riley’s ‘In C’, and modular synthesist Morton Subotnick. She later became director of the Center, where she developed a philosophy of listening as a ritual and healing process, an approach she described through her coinage “deep listening”. Her Deep Listening Band specialized in performing recording in resonant or reverberant spaces, and her touchstone album Deep Listening was recorded in 1989 in a disused cistern 14 feet beneath the ground.

Her practice emphasised the difference between hearing and listening, as she told an interviewer in 2003. “In hearing, the ears take in all the sound waves and particles and deliver them to the audio cortex where the listening takes place. We cannot turn off our ears–the ears are always taking in sound information–but we can turn off our listening. I feel that listening is the basis of creativity and culture. How you’re listening, is how you develop a culture and how a community of people listens, is what creates their culture.”
From the 1980s onwards Oliveros focused on improvisation, particularly as an accordionist. She continued to teach at Rensselaer Polytechnic Institute and Mills College, publishing five books and becoming the recipient of several awards, until the end of her life.”

YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

https://www.youtube.com/watch?v=TDHy_nh2Cno&list=PLVALBxbrx-SbjsHnV1fGjE51DeERTt93g

Choreographed by Yvonne Rainer, 1966 & Performed by Yvonne Rainer August 14, 1978.  Film by Yvonne Rainer

‘In 1962, Dancer, choreographer & filmmaker Yvonne Rainer founded the Judson Dance Theater, named after the Judson Memorial Church where they performed.  ‘In her early works, Rainer focused on sounds and movements and often juxtaposed the two in arbitrary combinations. Somewhat inspired by the chance tactics favored by Cunningham, Rainer’s choreography was a combination of classical dance steps contrasted with everyday, ordinary, pedestrian movement. She used a great deal of repetition and employed narrative and verbal noises (including wails, grunts, mumbles, squeaks, and shrieks, etc.) within the body of her dances.Continue reading YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016

An excellent video produced by Museo Tamayo about their exhibition of Leon Golub’s work, entitled “Bite Your Tongue”. Curator Emma Enderby from the Serpentine Galleries, London discusses the survey exhibition, which charts Golub’s work from the 1950’s up to his death in 2004. Samm Kunce, Manager at Leon Golub & Nancy Spero Foundation for the Arts also discusses Golub’s work, his career and the exhibition. Continue reading LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016