Singer/songwriter Bill Callahan (aka Smog) gave this rare Brooklyn rooftop performance in 2007. via Pitchfork’s “Don’t Look Down” rooftop live performanceseries
Singer/songwriter Bill Callahan (aka Smog) gave this rare Brooklyn rooftop performance in 2007. via Pitchfork’s “Don’t Look Down” rooftop live performanceseries
An excerpt/trailer from the documentary, James Baldwin: The Price Of The Ticket Producer/Director: Karen Thorsen, Producers: William Miles and Douglas K. Dempsey
‘James Baldwin (1924-1987) was at once a major twentieth century American author, a Civil Rights activist and, for two crucial decades, a prophetic voice calling Americans, Black and white, to confront their shared racial tragedy. James Baldwin: The Price of the Ticket captures on film the passionate intellect and courageous writing of a man who was born black, impoverished, gay and gifted.
James Baldwin: The Price of the Ticket uses striking archival footage to evoke the atmosphere of Baldwin’s formative years – the Harlem of the 30s, his father’s fundamentalist church and the émigré demimonde of postwar Paris. Newsreel clips from the ’60’s record Baldwin’s running commentary on the drama of the Civil Rights movement. The film also explores his quiet retreats in Paris, the South of France, Istanbul and Switzerland – places where Baldwin was able to write away from the racial tensions of America.
Writers Maya Angelou, Amiri Baraka, Ishmael Reed, William Styron and biographer David Leeming place Baldwin’s work in the African-American literary tradition – from slave narratives and black preaching to their own contemporary work. The film skillfully links excerpts from Baldwin’s major books – Go Tell it on the Mountain, Notes of a Native Son, Another Country, The Fire Next Time, Blues for Mister Charlie, If Beale Street Could Talk – to different stages in Black-white dialogue and conflict.
Towards the end of his life, as America turned its back on the challenge of racial justice, Baldwin became frustrated but rarely bitter. He kept writing and reaching in the strengthened belief that : “All men are brothers – That’s the bottom line.”
Produced in association with American Masters and Maysles Films’ -notes on the film from the California Newsreel website, http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET
An enjoyable and surprisingly succinct summation of Jacques Derrida’s key concepts, albeit highly reductive. The School of Life Series is a wonderful “idiots guide”to the history of ideas. Their more recent output seems to be now centered on emotional and socio/cultural phenomenae, but still features their clipped, intelligent and wryly humorous bent.
A TRIBUTE TO JOHN FAHEY
Slavoj Žižek is a Slovenian psychoanalytic philosopher, cultural critic, and Hegelian Marxist. He is a senior researcher at the Institute for Sociology and Philosophy at the University of Ljubljana, Global Distinguished Professor of German at New York University, and international director of the Birkbeck Institute for the Humanities of the University of London.
Jack Kerouac reads his piece October In The Railroad Earth from the 1959 album Poetry for the Beat Generation, accompanied by Steve Allen on the piano.
October In The Railroad Earth is a memoir recounting Kerouac’s memories of his experiences as a “student brakeman” on the Southern Pacific Railroad in California. Its structure is episodic: its fifteen sections are loosely linked together by being set in the month of “October” and by focusing on his early career on the railroad. The piece was originally titled The Railroad Earth, first published in 1957. Continue reading JACK KEROUAC reads October In The Railroad Earth
British composer/arranger known for his TV theme tunes and to American audiences for his “Funky Fanfare” sampled by Danger Mouse.
from the album: “The Decline And Fall Of….”