7 0000
I first became aware of Sue Coes’ artwork in the 80’s. Her expressionistic paintings, illustrations and drawings seemed to be omnipresent in the world of downtown Manhattan. I’d seen posters and placards affixed to buildings on the walls of lower east side buildings, her illustrations on the covers of RAW and X magazine. Her highly political themes pointed to the issues of animal cruelty, factory farming, meat-packing, apartheid, sweat-shops, prisons and AIDS with a dark, expressionistic style, reminiscent of Grosz, Dix , Goya and Soutine. Continue reading SUE COE : The Melding of Art and Political Activism
Artist Carolee Schneeman began work on her film Fuses in 1964, eventually finishing it 1967. Her performance piece, Meat Joy had been performed in Paris and NYC at the Judson Church the same year, along with her constructions Native Beauties (1962–64), Music Box Music (1964), Pharaoh’s Daughter (1966) and Her Letter to Lou Andreas Salome (1965). 
– Daido Moriyama
The Incubator 