Category Archives: ART

Idoma Seated Female Figures, Africa Origin: Nigeria Circa: 19 th Century AD to 20th Century AD

left: Idoma Seated Female Figure, Africa Origin: Nigeria Circa: 19 th Century AD to 20th Century AD

right:  Africa | Female figure “anjenu” from the Idoma people of Nigeria | Wood, polychrome paint

Idoma figures, Nigeria:

In 1985, François Neyt identified the Idoma’s “Ekotame and Anjenu sitting figures” as a pre-eminent corpus. (Neyt, 1985, p. 101-116). As part of the deeply ingrained tradition of female representation in the Benue region – maternity figures, women sitting and standing – they offer the most striking of its expressions in their extolment of strength and dignity combined.  Continue reading Idoma Seated Female Figures, Africa Origin: Nigeria Circa: 19 th Century AD to 20th Century AD

JOHN HEARTFIELD :: HURRAH DIE BUTTER IST ALLE, 1935

heartfield_hurrah-2John Heartfield (born Helmut Herzfeld; 19 June 1891 – 26 April 1968) was an artist and a pioneer in the use of art as a political weapon. Some of his photomontages were anti-Nazi and anti-fascist statements. Heartfield also created book jackets for authors such as Upton Sinclair, as well as stage sets for such noted playwrights as Bertolt Brecht and Erwin Piscator.

Continue reading JOHN HEARTFIELD :: HURRAH DIE BUTTER IST ALLE, 1935

JOHN OSWALD/PLUNDERPHONICS, SPRING, from the album Plunderphonics, 1989

John Oswald/Plunderphonic’s Spring is a recomposition of Igor Stravinsky’s The Rites Of Spring.  The piece was part of Oswalds legendary album, Plunderphonics, released in 1988 and re-released in 1989 in a 25-track expanded version. Continue reading JOHN OSWALD/PLUNDERPHONICS, SPRING, from the album Plunderphonics, 1989

PER KIRKEBY

Per Kirkeby (born 1 September 1938, in Copenhagen) is a Danish painter, poet, film maker and sculptor.  By the time he completed a masters education in arctic geology at the University of Copenhagen in 1964, he was already part of the important experimental art school “eks-skolen” and worked primarily as a painter, sculptor, writer and a lithographic artist which he has pursued ever since. Influenced by his scientific roots as well as the gestural works of the Abstract Expressionists, Kirkeby creates expressive, heavily layered paintings, which can resemble geological strata, the Danish landscape, and even the female form. Continue reading PER KIRKEBY

LAURIE ANDERSON / JOHN GIORNO / WILLIAM S BURROUGHS :: YOU’RE THE GUY I WANT TO SHARE MY MONEY WITH (full album), 1981

https://www.youtube.com/watch?v=21y2G78xSds&t=2s

You’re the Guy I Want To Share My Money With is a double album released in 1981. The album is a collaboration by Laurie Anderson, John Giorno and William S. Burroughs, recorded during their “Red Night” spoken word tour of 1981.[1] Released through Giorno Poetry Systems Institute, the album was funded in part by grants from the National Endowment for the Arts and the New York State Council on the Arts. Most of Anderson’s material came from her performance piece, United States, and live versions of some tracks, such as “It Was Up in the Mountains”, would also be included in her later 5-LP release, United States Live. This was Anderson’s first substantial album release (previously she had only contributed a track or two), and she followed this in 1982 with her first full solo album, Big Science. Continue reading LAURIE ANDERSON / JOHN GIORNO / WILLIAM S BURROUGHS :: YOU’RE THE GUY I WANT TO SHARE MY MONEY WITH (full album), 1981