” I have never thought of myself as a geometric painter, but I have always thought of myself as an improviser. The geometry in my work has increased over the years and I’m not completely sure why this is so. It isn’t by conscious intent, I can assure you. Improvisation, however, is essential to my work. I want my ideas to be located at the tip of my brush. I want my materials to talk back to me. I want to be surprised.”
“Every artist has little rules or devices that enables them to move a painting forward. I’m not thinking of great and meaningful exercises of desire, but simple, quotidian, almost mechanical procedures. I mean, one of the strategies that I’ve always used in different permutations is to, as a first step, go to the opposite of what the logical move would be. So if a painting would seem to have a source that is anthropomorphic or organic, you know, start geometrically. If a painting has a source in a city and architecture in the urban, let’s do it with curves and juicy paint running all over the place. And this is not out of perversity, but out of a desire to challenge any kind of received wisdom. In other words, if a city has to be geometric, well, okay, let it prove itself, let it become geometric in the process, in the procedure of thinking about these things. This interests me—looking for the core of things. What is essential? What is at the bottom of it?”
-Thomas Nozkowski, in conversation with John Yau, just prior to his exhibition at The Pace Gallery, NYC, The Brooklyn Rail, November 5, 2010
“Basically we’d say, ‘we’re making these piss-paintings. Wanna come up and pee?’ And that didn’t work as well. Uhh, I brought u a girl, and she squats and just makes a puddle. And Andy went, ‘Oh there’s no brushstroke.’ So we learned the hard way.” -Ronnie Cutrone
The Oxidation paintings are sometimes referred to as Warhol’s Piss Paintings. The paintings are generally attributed to 1977-78, although Warhol also referred to them in a 1976 interview. The Andy Warhol Catalogue Raisonné (Vol. 1) notes “In a little-known 1976 interview, when Warhol was asked if there were ‘any old non-representational paintings that no one knows about,’ he replied: ‘The only ones I have are the piss paintings; I have a couple. That was a long time ago. Then there were the canvases that I used to leave on the street and people used to walk on them; in the end I had a lot of dirty canvases. Then I thought they were all diseased so I rolled them up and put them somewhere. Reproduced with this interview was an unstretched canvas, captioned ‘Andy Warhol: Piss Painting, urine on canvas, 46 x 80, c. 1961.'” Continue reading ANDY WARHOL:: OXIDATION PAINTINGS, aka PISS PAINTINGS, 1977-78
A wonderful, thoughtful short interview with the artist Terry Winters by Anders Kold at the Louisiana Museum of Modern Art, Denmark in August 2015. Continue reading TERRY WINTERS: UNINTENDED THINGS TO HAPPEN, interview, Louisiana Museum, 2015 9 min.
Richter 858 is an album by Bill Frisell of improvised music inspired by the paintings of German artist Gerhard Richter and performed by Frisell, Eyvind Kang, Jenny Scheinman and Hank Roberts. The album was originally released as part of a limited-edition volume of Gerhard Richter’s paintings which also contained poetry and essays by Dave Hickey and Klaus Kertess inspired by the artist’s work. The album was rereleased in 2005 on the Songlines label with a CD-ROM with MP3 music to accompany a slide show of the paintings, which can also be found reproduced in the booklet. Continue reading RICHTER 858, A Slideshow, Bill Frisell,composer/Gerhard Richter, artist
A 2006 documentary on the artist Gerhard Richter, who talks about his life growing up in East Germany, attending the Dresden art academy and his escape to the west just before the Berlin Wall was built. Also considers his work and success.
Another chapter of the great AB EX NY series of short videos discussing the painting techniques of key NY Abstract Expressionist artists. Produced for the MoMA exhibition: Abstract Expressionist New York, October 3, 2010–April 11, 2011
Filmed by Plowshares Media
Images courtesy of the Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Photos by John Loengard/Time & Life Pictures/Getty Images
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
Clyfford Still with PH-1024, 1976
Photographed by Patricia Still. © City and County of Denver, courtesy the Clyfford Still Museum Archives.