early unseen diane arbus photographs arrive at the met
by Emily Manning, for I-D, July 12, 2016 *
Diane Arbus’ work drew her to Coney Island side shows, Times Square movie theaters, and smoky Lower East Side pool halls. But the enigmatic artist’s newest show opens today in the neighborhood she was born and raised in: the Upper East Side. For its inaugural season, the Met Breuer (the Metropolitan Museum of Art’s new 75th and Madison outpost, and formerly the Whitney’s uptown digs) has created a landmark exhibition highlighting Arbus’ never-before-seen early work. Titled diane arbus: in the beginning, the show features photographs taken between 1956 and 1962 — the critical years in which Arbus developed her idiosyncratic approach to capturing New York City street scenes and their wildly eclectic cast of characters. Continue reading DIANE ARBUS: early & unseen works shown in the Met Breuer exhibition, 2016
Wisconsin Death Trip is a 1999 American black-and-white and color docudrama film written and directed by James Marsh, based on the 1973 book of the same name by Michael Lesy. Original music for the film was composed by DJ Shadow, with original piano music for the closing credits by John Cale.
The film dramatizes the photographs by Charles Van Schaick found by in the early 1970s by Lesy, connected to a series of macabre incidents that took place in Black River Falls, Wisconsin in the late 19th century, and, in part, the film was shot on location there. Marsh makes use of silent black-and-white recreations with voice-over narration by Ian Holm contrasted with contemporary color footage of the area.
Wisconsin Death Trip is a 1973 non-fiction book by Michael Lesy, based on a collection of late 19th century photographs by Jackson County, Wisconsin photographer Charles Van Schaick – mostly taken in the city of Black River Falls – and local news reports from the same period. It emphasizes the harsh aspects of Midwestern rural life under the pressures of crime, disease, mental illness, and urbanization.
Sasha Stone, Sylvester in Berlin, 1928
Richard Avedon by Jacques-Henri Lartigue 1966. Avedon got his start photographing identification pictures for the Merchant Marines, later moving on to pursue fashion photography & portraiture.