Category Archives: Video
ROMAN POLANSKI, in conversation with Clive James, 1983, 58 min.
Writer/Critic Clive James Meets Roman Polanski — A rare TV documentary filmed in 1984. Running 46 minutes and encompassing a wide variety of topics Polanski speaks frankly about his childhood in the Warsaw ghetto, his mothers death, his beginnings in filmmaking, his tragic marriage to Sharon Tate and eventually even his arrest for sexual assault. Fantastic interview.
MARGARET ATWOOD, in conversation with Patty Satalia for WPSU
Award-winning Writer and Environmental Activist Margaret Atwood discusses her career.with Patty Satalia. Produced by WPSU, Public Media For Central Pennsylvania.
Margaret Atwood was born in 1939 in Ottawa, and grew up in northern Ontario, Quebec, and Toronto. She is the author of more than forty volumes of poetry, children’s literature, fiction, and non-fiction, but is best known for her novels. Atwood’s work has been published in more than forty languages. She was honored with the 2014 Medal for Distinguished Achievement from Penn State’s Institute for the Arts and Humanities.
JEAN PROUVE’S DEMOUNTABLE HOUSES, 1944
Architect/Designer Jean Prouvé began to design portable and demountable barracks for the French army during the Second World War. After the war, the French government commissioned Prouvé to design inexpensive, effective housing for the newly homeless, prompting him to perfect his patented axial portal frame to build easily constructed demountable houses. Few of these groundbreaking structures were built, making them exceedingly rare today.
Jean Prouvé (8 April 1901 – 23 March 1984) was a French metal worker, self-taught architect and designer. He is also designated as “constructor”. His main achievement was transferring manufacturing technology from industry to architecture, without losing aesthetic qualities. His design skills were not limited to one discipline. During his career Jean Prouvé was involved in architectural design, industrial design, structural design and furniture design.Though lacking any formal education in architecture, he became one of the most influential architects of the 20th century, boldly experimenting with new building designs, materials and methods. “His postwar work has left its mark everywhere,” wrote Le Courbusier, “decisively.”
Working from the postulate that there was no structural difference between a piece of furniture and a building, Jean Prouvé developed a “constructional philosophy” whose artifice-free aesthetic of functionality and fabrication applied the same principles to furnishings and architecture. First produced in small series in the 1930s, his structures were assembled and integrated with the aid of shrewdly designed systems for modification, dismantling and moving of both furniture and buildings.
The genesis of these demountable houses came about in the early 1930s, when Jean Prouvé – up to that point an art-deco-trained metal worker who produced furniture – began to experiment with architectural structures. Entirely self-taught, to Prouvé there was “no difference between the structure of a building and the structure of a table,” as his grandson Serge Drouin explained to Dwell in 2014. By the end of the 1930s, Prouvé had refined his structural system and patented the “axial portal frame”, the two-legged structure that served as the main structural support in all of his subsequent demountable designs.
The Second World War – more specifically the end of the war and the accompanying need to quickly provide shelter to a shell-shocked French populace – provided an opportunity for Prouvé’s demountable houses to finally be put to use. According to the NGO Committee on Human Settlements, the French ministry for Reconstruction and Urban Development placed an order for 800 units, but only half of these were produced after the government soon switched to a strategy of permanent rebuilding rather than temporary housing. This sudden halt in production in France, combined with the French Government’s policies of “cultural exception” enacted after the war, left French Modernists (with the exception of Le Corbusier) “marginalized inside something of a cultural bubble” according to Claudia Barbieri, and Prouvé’s demountable designs languished in architectural obscurity for decades.
YOKO ONO :: CUT PIECE documented by The Maysles Bros, Carnegie Recital Hall, New York, March 21, 1965

“In this performance Ono sat on a stage and invited the audience to approach her and cut away her clothing, so it gradually fell away from her body. Challenging the neutrality of the relationship between viewer and art object, Ono presented a situation in which the viewer was implicated in the potentially aggressive act of unveiling the female body, which served historically as one such ‘neutral’ and anonymous subject for art. Emphasizing the reciprocal way in which viewers and subjects become objects or each other, Cut Piece also demonstrates how viewing without responsibility has the potential to harm or even destroy the object of perception.” -Art & Feminism, Edited by Helena Reckitt, with a survey by Peggy Phelan
Yoko Ono was a major figure in the 1960s New York underground art scene, and she continues to produce work and make headlines today. Of several iconic conceptual and performance art pieces that Ono produced, the most famous is Cut Piece (1964), first performed in Tokyo, in which she kneeled on the floor of a stage while members of the audience gradually cut off her clothes. In the ’60s and ’70s Ono was associated with the Fluxus movement—a loose group of avant-garde Dada-inspired artists—and produced printed matter, such as a book titled Grapefruit (1964) containing instructions for musical and artistic pieces. Other works include Smoke Painting (1961), a canvas that viewers were invited to burn. John Cage was a major influence and collaborator for Ono, as was the godfather of Fluxus, George Maciunas.
THE PAINTING TECHNIQUES OF FRANZ KLINE, AB EX NY, via MoMA 4 min
Aother great, short piece from the Ab Ex series, this one about Franz Kline’s materials a process. 4 min. From the MoMA archives.
Filmed by Plowshares Media
Images courtesy of The Franz Kline Estate; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art
ANDY WARHOL, extended interview, 1966, 14 min.
interviewer unknown. In his characteristically stilted and uncooperative fashion Andy talks about his art, his films, his process and the Velvet Underground.
The School Of Life: Higher Consciousness, a secular view
Another interesting video from The School of Life, positing a secular view of the concept of “Higher Consciousness.”
FRANCOISE HARDY :: COMMENT TE DIRE ADIEU? 1968
“Comment te dire adieu” (English: “How to Say Goodbye to You”) is a French adaptation of the song “It Hurts to Say Goodbye“. It was recorded by Françoise Hardy in 1968 and remains one of Hardy’s most popular songs. Continue reading FRANCOISE HARDY :: COMMENT TE DIRE ADIEU? 1968
DON CHERRY & ORGANIC MUSIC THEATRE :: Live in Italy, RAI Studios, 1976. 41 min.
Don Cherry, pocket-trumpet, flute
Douss’ngouni, vocals
Giampiero Pramaggiore, guitar, flute, vocals
Nana Vasconcelos, berimbau, percussion, vocals
Moki Cherry, vocals, tamboura