from the scottish post-rock band’s third album, Rock Action, 2001
from the scottish post-rock band’s third album, Rock Action, 2001
from the album: Mono – Holy Ground: NYC Live With The Wordless Music Orchestra (2010)
MONO is a japanese post-rock band, formed in 1999 in Tokyo. Pure As Snow was originally recorded on the 2009 concept album by Mono, Hymn To The Immortal Wind. The album was recorded and mixed in June and November 2008 at the Electrical Audio Recording Studios, Chicago, Illinois, by Steve Albini. A music video for “Follow the Map” was released to promote the album. There is a short story enclosed with the CD to go along with the music. Continue reading MONO :: PURE AS SNOW 2010
Gianna Commito paints her small scale geometric abstractions paintings with watercolor and gouache or watercolor and casein onto panels.
from Gianna Commito’s Artist Statement, 2014:
“My drawings and paintings are derived from different architectural spaces and building blocks, either through the literal representation of materials such as wood and bricks or by utilizing the physicality of paint and collage as structural elements. Alluding to such a diversity of materials, from organic to synthetic, allows me to take advantage of the varied qualities of the different media I employ, in this case, watercolor, gouache, and casein on paper or panel. The initial structural elements and spaces that I reference may evolve into more complex geometric systems or become obscured in the process of painting, but still provide a sense of space: of interior versus exterior, residential versus industrial, literal versus illusionistic space.” Continue reading GIANNA COMMITO

Philip Taaffe, HERCULANEUM, 1991 , mixed media on linen 112 × 145 inches.
Pauline Oliveros, famed composer, philosopher, educator and experimental music pioneer has passed away at the age of 84.
-from FACT magazine:
“As a founding member of the San Francisco Tape Music Center in the 1960s, Oliveros collaborated with Terry Riley, playing in the first performance of Riley’s ‘In C’, and modular synthesist Morton Subotnick. She later became director of the Center, where she developed a philosophy of listening as a ritual and healing process, an approach she described through her coinage “deep listening”. Her Deep Listening Band specialized in performing recording in resonant or reverberant spaces, and her touchstone album Deep Listening was recorded in 1989 in a disused cistern 14 feet beneath the ground.
Her practice emphasised the difference between hearing and listening, as she told an interviewer in 2003. “In hearing, the ears take in all the sound waves and particles and deliver them to the audio cortex where the listening takes place. We cannot turn off our ears–the ears are always taking in sound information–but we can turn off our listening. I feel that listening is the basis of creativity and culture. How you’re listening, is how you develop a culture and how a community of people listens, is what creates their culture.”
From the 1980s onwards Oliveros focused on improvisation, particularly as an accordionist. She continued to teach at Rensselaer Polytechnic Institute and Mills College, publishing five books and becoming the recipient of several awards, until the end of her life.”


