Videos

Goodbye Pauline Oliveros, R.I.P.

Pauline Oliveros, famed composer, philosopher, educator and experimental music pioneer has passed away at the age of 84. 

-from FACT magazine:

“As a founding member of the San Francisco Tape Music Center in the 1960s, Oliveros collaborated with Terry Riley, playing in the first performance of Riley’s ‘In C’, and modular synthesist Morton Subotnick. She later became director of the Center, where she developed a philosophy of listening as a ritual and healing process, an approach she described through her coinage “deep listening”. Her Deep Listening Band specialized in performing recording in resonant or reverberant spaces, and her touchstone album Deep Listening was recorded in 1989 in a disused cistern 14 feet beneath the ground.

Her practice emphasised the difference between hearing and listening, as she told an interviewer in 2003. “In hearing, the ears take in all the sound waves and particles and deliver them to the audio cortex where the listening takes place. We cannot turn off our ears–the ears are always taking in sound information–but we can turn off our listening. I feel that listening is the basis of creativity and culture. How you’re listening, is how you develop a culture and how a community of people listens, is what creates their culture.”
From the 1980s onwards Oliveros focused on improvisation, particularly as an accordionist. She continued to teach at Rensselaer Polytechnic Institute and Mills College, publishing five books and becoming the recipient of several awards, until the end of her life.”

YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

Choreographed by Yvonne Rainer, 1966 & Performed by Yvonne Rainer August 14, 1978.  Film by Yvonne Rainer

‘In 1962, Dancer, choreographer & filmmaker Yvonne Rainer founded the Judson Dance Theater, named after the Judson Memorial Church where they performed.  ‘In her early works, Rainer focused on sounds and movements and often juxtaposed the two in arbitrary combinations. Somewhat inspired by the chance tactics favored by Cunningham, Rainer’s choreography was a combination of classical dance steps contrasted with everyday, ordinary, pedestrian movement. She used a great deal of repetition and employed narrative and verbal noises (including wails, grunts, mumbles, squeaks, and shrieks, etc.) within the body of her dances.Continue reading YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016

An excellent video produced by Museo Tamayo about their exhibition of Leon Golub’s work, entitled “Bite Your Tongue”. Curator Emma Enderby from the Serpentine Galleries, London discusses the survey exhibition, which charts Golub’s work from the 1950’s up to his death in 2004. Samm Kunce, Manager at Leon Golub & Nancy Spero Foundation for the Arts also discusses Golub’s work, his career and the exhibition. Continue reading LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016

the International Poetry Incarnation, Royal Albert Hall, June 11, 1965

‘…the Underground was suddenly there on the surface’
Jeff Nuttall, author

‘All these people recognised each other and they all realised they were part of the same scene.’
Barry Miles, author

“The poets were not given any running order and the evening ran with seemingly little structure. Adrian Mitchell read his popular poem, a rant against the Vietnam War – To Whom it May Concern to huge enthusiasm. Allen Ginsberg read New York Bird by Russian poet Andrei Vosnesensky; the poet was present but forbidden to perform by the Russian authorities. To round off the evening Ginsberg read two 2 of his long poems – The Change and Who Be Kind To.

The audience were handed flowers as they entered the arena which, full of a heavy-drinking crowd, quickly became filled with a marijuana smoke, flying paper darts and foliage.”-Royal Albert Hall website Continue reading the International Poetry Incarnation, Royal Albert Hall, June 11, 1965

LAMBCHOP :: “GIVE IT (Once In A Lifetime)” live at XXMerge, 2009

  • “A revelatory moment” – Pitchfork
  • “A performance for the ages” -Aquarium Drunkard

Recorded by Nick Peterson at Cat’s Cradle, Carrboro, NC / July 24th, 2009. Mixed By Mac McCaughan / FOH Engineer: Mark Luecke. Mastered by Jeff Lipton at Peerless.
Written by Wagner, Beedle, Rock, House with quotes from D. Byrne Continue reading LAMBCHOP :: “GIVE IT (Once In A Lifetime)” live at XXMerge, 2009

BONNIE PRINCE BILLY :: BLACK CAPTAIN – from Black Cab Sessions, London

https://vimeo.com/35970184

Bonnie “Prince” Billy in the 100th episode of Black Cab Sessions. In this edition of the long-running series, he performs Wolfroy Goes To Town cut “Black Captain” and childrens’ song “My Nurse Smells Like Coconuts.”

Black Cab Sessions started in 2007, inviting artists to play one or two songs while riding around London in the back seat of a cab.  Since then the format has expanded and is now taping artists performing in cabs within their hometowns.

JAMES BALDWIN: THE PRICE OF THE TICKET (trailer from the 1990 documentary)

An excerpt/trailer from the documentary, James Baldwin: The Price Of The Ticket Producer/Director: Karen Thorsen, Producers: William Miles and Douglas K. Dempsey

‘James Baldwin (1924-1987) was at once a major twentieth century American author, a Civil Rights activist and, for two crucial decades, a prophetic voice calling Americans, Black and white, to confront their shared racial tragedy. James Baldwin: The Price of the Ticket captures on film the passionate intellect and courageous writing of a man who was born black, impoverished, gay and gifted.

James Baldwin: The Price of the Ticket uses striking archival footage to evoke the atmosphere of Baldwin’s formative years – the Harlem of the 30s, his father’s fundamentalist church and the émigré demimonde of postwar Paris. Newsreel clips from the ’60’s record Baldwin’s running commentary on the drama of the Civil Rights movement. The film also explores his quiet retreats in Paris, the South of France, Istanbul and Switzerland – places where Baldwin was able to write away from the racial tensions of America.

Writers Maya Angelou, Amiri Baraka, Ishmael Reed, William Styron and biographer David Leeming place Baldwin’s work in the African-American literary tradition – from slave narratives and black preaching to their own contemporary work. The film skillfully links excerpts from Baldwin’s major books – Go Tell it on the Mountain, Notes of a Native Son, Another Country, The Fire Next Time, Blues for Mister Charlie, If Beale Street Could Talk – to different stages in Black-white dialogue and conflict.

Towards the end of his life, as America turned its back on the challenge of racial justice, Baldwin became frustrated but rarely bitter. He kept writing and reaching in the strengthened belief that : “All men are brothers – That’s the bottom line.”

Produced in association with American Masters and Maysles Films’   -notes on the film from the California Newsreel website, http://newsreel.org/video/JAMES-BALDWIN-THE-PRICE-OF-THE-TICKET