Videos

HELEN FRANKENTHALER, interview, Portland State University, May 1972, 25 min.

 

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In May 1972, Abstract Expressionist artist Helen Frankenthaler came to Portland as part of a “Visiting Artist Program” organized by the Art Department of Portland State University. The program brought the artist and nine of her paintings with the support of the Oregon Arts Commission, the Portland Art Museum, and the Academically Controlled Auxiliary Activities Committee at PSU. At Portland Art Museum, the artist gave a slide show and preview of the selected work, which was installed in the sculpture garden of PAM. The following day, Frankenthaler participated in an informal Q & A session in PSU’s Lincoln Hall Auditorium with area art students and members of the public. The Q & A at the university was recorded by Ed Du Vivier and Mel Katz, with support from PSU’s Television Services and with the assistance of Tom Taylor and the Center for Moving Image, with the idea that the recording, with funding and support from the Oregon Arts Commission, would later be made available to other schools, museums, and libraries. In this restored version of the film, Frankenthaler discusses her work, her youthful influences, her association with the New York School of painting, and whether advanced formal training aids or hinders the artistic process.

Continue reading HELEN FRANKENTHALER, interview, Portland State University, May 1972, 25 min.

JOHN LENNON/JERRY LIVITAN :: I MET THE WALRUS, interview, Toronto, 1969

In 1969, a 14-year-old Beatle fanatic named Jerry Levitan snuck into John Lennon’s hotel room in Toronto and convinced him to do an interview. 38 years later, Levitan, director Josh Raskin and illustrators James Braithwaite and Alex Kurina have collaborated to create an animated short film using the original interview recording as the soundtrack. A spellbinding vessel for Lennon’s boundless wit and timeless message, I Met the Walrus was nominated for the 2008 Academy Award for Animated Short and won the 2009 Emmy for ‘New Approaches’ (making it the first film to win an Emmy on behalf of the internet).

THE PAINTING TECHNIQUES OF AD REINHARDT: Abstract Painting, AB EX NY via MOMA, 5 min.

Another chapter of the great AB EX NY series of short videos discussing the painting techniques of key NY Abstract Expressionist artists.  Produced for the MoMA exhibition: Abstract Expressionist New York, October 3, 2010–April 11, 2011

Filmed by Plowshares Media
Images courtesy of the Estate of Ad Reinhardt/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Photos by John Loengard/Time & Life Pictures/Getty Images
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz

JOHN CALE :: (I KEEP A) CLOSE WATCH, live, from the album, Fragments of A Rainy Season, 1992

(I Keep A) Close Watch originally appeared on John Cale’s 1975 album, Helen Of Troy and was produced with a full orchestration. Over the years, Cale has pared the song’s arrangement down, and usually performs the song alone with solo piano.

Fragments Of A Rainy Season is a 1992 live solo album by John Cale, performed at various locations during his 1992 tour. The album cover was designed by noted conceptual artist Joseph Kosuth.

ANTHONY AND THE JOHNSONS :: HOPE THERE’S SOMEONE, live in Malmö, Sweden, 2005

from ConsequenceOfSound.net

ON FEBRUARY 12, 2011, 8:00AM

 At Your Funeral: Antony and the Johnsons – “Hope There’s Someone”

The task of choosing the musical backdrop for one’s final send-off is a daunting one. Many questions present themselves: Why further burden such an emotionally weighty occasion? Would making light of the situation go over poorly? Do you play something familiar that’s likely to move everyone in attendance, or attempt to work in a hidden gem/personal favorite? Of course, all of those concerns hardly matter in comparison to much more pressing ones. For instance, what could possibly be a fitting way to cap off a human being’s time on Earth?

 The answer, for me, is, and has been ever since I heard it for the very first time, Antony and the Johnsons’ “Hope There’s Someone”, off of their indelible second album, I Am a Bird Now. To say that death permeates the 2005 Mercury Prize-winning album, which features the likes of Lou Reed, Devendra Banhart and Boy George, would be a major understatement; The album cover features a morose-looking old photo of actress/Warhol Superstar Candy Darling on her deathbed, and all of the tracks speak to death or loss in some way. Surprisingly, I Am a Bird Now is certainly not a sad album. Instead of wallowing into the sort of black-clad misery that many pieces of art on the topic of death seem to fall into, I Am a Bird Now seeks to reconcile with death, expressing a certain joy in the freedom that comes with it, via key themes of hope and freedom.

THE VELVET UNDERGROUND, The South Bank Show, documentary by Kim Evans, 1986, 53 min.

THE SOUTH BANK SHOW: THE VELVET UNDERGROUND

Directed by KIM EVANS
United Kingdom, 1986
Documentary

Originally broadcast in 1986 in the UK, The South Bank Show’s Velvet Underground documentary. It contains interviews with Lou Reed, John Cale, Sterling Morrison, Moe Tucker, Nico, Andy Warhol and lots of early Velvet performance footage.

LOU REED / DAVID BOWIE :: DIRTY BLVD, at Bowie’s 50th Birthday celebration, 1997

 

Dirty Blvd.” is a Lou Reed song from his 1989 album, New York. The song contrasts the poor and the rich in New York City, and topped the Billboard Modern Rock Tracks chart for four weeks in early 1989. Live versions appear on Perfect Night: Live in London and Animal Serenade. “Dirty Blvd.” was one of the four songs Reed performed with David Bowie on the latter’s 50th birthday celebration in 1997.  -wikipedia

kneeling to the god of eclecticism and allergic to the commonplace