Sebastião Salgado is likely the most eminent photojournalist working today. Of Salgado’s many iconic images, perhaps the most famous is this picture of a dispute between Serra Pelada gold mine worker and military police taken in Brazil in 1986. It is the classic picture of tension with a twist–the authority is in the hands of the police on the right, but he earns much less than the miners thus infusing that facet of tension into the picture too.
“Serra Pelada was a large gold mine in Brazil 430 kilometres (270 mi) south of the mouth of the Amazon River. In 1979 a local child swimming on the banks of a local river found a 6 grams (0.21 oz) nugget of gold. Soon word leaked out and by the end of the week a gold rush had started. During the early 1980s, tens of thousands of prospectors flocked to the Serra Pelada site, which at its peak was said to be not only the largest open-air gold mine in the world, but also the most violent. Continue reading Sebastião Salgado :: The Hell of Serra Pelada

‘The photograph that Elliott Erwitt made in 1953 of his newborn daughter and her mother in the family’s modest Manhattan apartment is among the most widely reproduced of its time, having appeared in venues as different as Edward Steichen’s seminal 1955 photography exhibition (and book) “Family of Man,” and in magazines, on postcards and even in drug company advertisements. But if Mother and Child is a mainstay of modern photography, to the mischievous Erwitt, 74, it’s just “a family picture of my first child, my first wife and my cat,” he says. “I still see it as a snapshot. But it happens to be a pretty good one.” -Adriana Leshko, Smithsonian Magazine, August 2002″
