Category Archives: Music

HARRY PARTCH:: DELUSION OF THE FURY, original filmed performance, 1969, 72 min.

Delusion of the Fury: A Ritual of Dream and Delusion, A Film by MadelineTourtelot, Recorded at UCLA Playhouse 1969. Conducted by Danlee Mitchell, musician assembly Emil Richards.

Delusion of the Fury is a stage play by the American composer Harry Partch. The first draft for a new theater work for singers, mimes, dancers, and musicians, Cry from Another Darkness, was completed by Partch on December 30, 1964, and the second draft, dated January 17, 1965, was a fuller, longer, re-titled Delusion of the Fury. The work was originally conceived as a play in two acts, with a dramatic first act and a comedic second. Partch completed writing of the music on March 17, 1966. The piece employs Partch’s original system of micro-tonality, and was written for the largest assembly of his custom-made instruments used in any of his works. The instruments were an important part of the stage set.[2] Delusion of the Fury was premiered at the UCLA Playhouse on January 9, 1969, where it was recorded for Columbia Records. This remained the only performance of the piece until it was re-staged in 2007 by the Japan Society in New York. In 2013 the piece was staged for the first time in Europe at Ruhrtriennale by Ensemble MusikFabrik under the direction of Heiner Goebbels.This production toured to the Edinburgh International Festival in 2014. It received another performance in Paris as part of IRCAM’s ManiFeste festival in the Grande Salle of La Villette on June 18, 2016. -wikipedia

Continue reading HARRY PARTCH:: DELUSION OF THE FURY, original filmed performance, 1969, 72 min.

PLAYLIST: ROCK N ROLL RADIO SEASON 3- EPISODE 28, “THE SLEEPY”, by Burger Records

About the show

 PLAYING TRACKS BY

The Toms, Redd Kross, Melody’s Echo Chamber, Freezing Hands, The Resonars and more.

CHART POSITIONS

This upload was 18th in the Rock ‘N’ Roll chart , 31st in the Garage chart , 52nd in the Indie chart and 90th in the Rock chart .

ASHA BHOSLE :: Aaiye Meherbaan, from the film Howrah Bridge, हावड़ा ब्रिज (1958)

Lyrics : Qamar Jalalabadi,(Q J)
Music Director : O P Nayyar,
Cast : Madhubala, Ashok Kumar K.N. Singh,Helen,Dhumal
Director: Shakti Samanta.

Since she began her career as a ‘playback singer’ for films in 1943, Asha Bhosle has sung for over a thousand Bollywood movies. Her career has spanned over six decades. In addition, she has recorded several private albums and participated in numerous solo concerts in India and abroad.Bhosle is the sister of playback singer Lata Mangeshkar.

Bhosle’s work includes film music, pop, ghazals, bhajans, traditional Indian classical music, folk songs, qawwalis, and Rabindra Sangeets. Apart from Hindi, she has sung in over 20 Indian and foreign languages. In 2006, Asha Bhosle stated that she had sung over 12,000 songs, a figure repeated by several other sources. In 2011, she was officially acknowledged by the Guinness Book of World Records as the most recorded artist in music history.

CARL STONE :: SHING KEE, 1986

https://www.youtube.com/watch?v=tAB0NDUbyNU

 

CarlStone (born Carl Joseph Stone, February 10, 1953) is an American composer, primarily working in the field of live electronic music. His works have been performed in the United States, Canada, Europe, Asia, Australia, South America, and the Near East.

Stone studied composition at the California Institute of the Arts with Morton Subotnick and James Tenney and has composed electro-acoustic music almost exclusively since 1972. As an undergrad at CalArts, he had a work-study job in the Music Library, which had many thousands of LP records in the circulating collection (this was 1973). The collection included a lot of western classical music of course but also a really comprehensive world music collection, avant-garde, electronic music, jazz and more. Because the librarians were concerned that the LPs, many of which were rare, would soon become unlistenable at the hands of the students and faculty, his job was to take every disc and record it onto cassette, a kind of back-up operation. He soon discovered that he could monitor the output of any of the recordings he was making and even mix them together without disturbing the recordings. So, he began to experiment, making musical collages, and started to develop habits of combining disparate musical materials. In addition to his composition and performance schedule, he is a faculty member in the Department of Information Media, School of Information Science and Technology at Chukyo University in Japan. – wikipedia Continue reading CARL STONE :: SHING KEE, 1986

GODSPEED YOU! BLACK EMPEROR :: MOYA (GORECKI) Live at The Metropolis, Montreal, 1.19.14

Godspeed You! Black Emperor is a Canadian experimental music collective which originated in Montreal, Quebec in 1994. They release its recordings through Constellation, an independent record label also located in Montreal. Film loop projections are an important aspect of the group’s live show, explained by Efrim Menuck as “[putting] the whole into context”.

Godspeed You! Black Emperor was formed in 1994 in Montreal, Quebec, by Efrim Menuck (guitar), Mike Moya (guitar), and Mauro Pezzente (bass), taking its name from God Speed You! Black Emperor, a 1976 Japanese black-and-white documentary by director Mitsuo Yanagimachi, which follows the exploits of a Japanese biker gang, the Black Emperors. The band initially assembled after being offered a supporting act for another local band named Steak 72. Thereafter, the trio performed live on a few separate occasions, before ultimately deciding to produce an album. The cassette, All Lights Fucked on the Hairy Amp Drooling, was self-released in December 1994 and limited to thirty-three copies.

After the limited release of the cassette, the band quickly expanded and continued to perform live periodically. According to Menuck, joining the group was quite simple: “It was like if anyone knew anybody who played an instrument and seemed like an okay person, they would sort of join up.” In short order, the group’s numbers ebbed and flowed. Local musicians would often join the band for a handful of performances, then depart. The revolving door nature of the group’s membership frequently caused it strain before the release of F♯ A♯ ∞.  After that release, the group stabilized around a nine-person lineup with Menuck, Moya and David Bryant on guitars, Pezzente and Thierry Amar on bass guitars, Aidan Girt and Bruce Cawdron on drums, and Sophie Trudeau and Norsola Johnson on violin and cello respectively. Moya would depart in 1998 to focus on HṚṢṬA, being replaced by Roger Tellier-Craig of Fly Pan Am.

Although various members of the band are often pinned down as anarchists, for a rather long time no one in the band explicitly subscribed to this label; however, as of 2014, Menuck was calling himself an anarchist. In any case, there is a strong political component to the band’s music. For example, the liner notes to Yanqui U.X.O. describe the song “09-15-00” as “Ariel Sharon surrounded by 1,000 Israeli soldiers marching on al-Haram Ash-Sharif & provoking another Intifada,” and the back cover of that album depicts the relationships of several major record labels to the military-industrial complex. Several of its songs also incorporate voice samples which express political sentiments, most notably “The Dead Flag Blues” (on F♯A♯∞) and “BBF3” (on Slow Riot for New Zerø Kanada).

Members of the group have formed a number of side projects, including Thee Silver Mt. Zion Memorial Orchestra & Tra-La-La Band, Fly Pan Am, HṚṢṬA, Esmerine, and Set Fire to Flames.

-wikipedia, GSYBE, edited

Images: Ian Cameron, Mathieu Lavoie, Scott Thiessen, Yuani Fragata, Alex Leclerc

Sound: Saaela Abrams, Alex Leclerc, Scott Thiessen, James Parker

MORTON FELDMAN :: FOR PHILIP GUSTON – S.E.M Ensemble, 2000, 285 minutes

Composer Morton Feldman’s epic, 4.5 hour long piece dedicated to his friend Philip Guston hovers in place, shimmering like a slowly revolving mobile, its langorous harmonies hanging in mid-air as they gradually evaporate. The piece was written in 1984, in memoriam to Philip Guston, who passed away in 1980. Feldman and Philip Guston were best friends until 1970, when the painter’s sudden switch back from abstract expressionism to representational painting appalled the composer so much that the two men remained estranged until Guston’s death 10 years later. For Philip Guston is one of the longest of Feldman’s serenely expansive late scores. Continue reading MORTON FELDMAN :: FOR PHILIP GUSTON – S.E.M Ensemble, 2000, 285 minutes

BUD POWELL: a time-lapse of a life via song performances

 

 

Bud Powell is remembered as the father of modern jazz piano. Breaking away from the popular style of stride piano, Bud innovated new techniques and a new sound which melded with the bebop that Charlie Parker and Dizzy Gillespie had invented; he approached the piano in almost the same way that Charlie Parker did the alto saxophone. Continue reading BUD POWELL: a time-lapse of a life via song performances