Category Archives: Video

CLARE ROJAS’ Geometric Abstractions (and sometimes music)

 

Bay area based, internationally-shown artist Clare Rojas works in a wide variety of media: painting, installations, video, street art, and children’s books. Her work has been considered to have been emblematic of San Francisco’s Mission School, “a loose group working in San Francisco in the nineties who shared an affinity for old wood, streetscapes, and anything raw or unschooled. They take their inspiration from the urban, bohemian, “street” culture of the Mission District and are strongly influenced by mural and graffiti art, comic and cartoon art, and folk art forms such as sign painting and hobo art. These artists are also noted for use of non-traditional artistic materials, such as house paint, spray paint, correction fluid, ballpoint pens, scrapboard, and found objects.”-clare rojas, wikipedia; mission school, wikipedia; dana goodyear, a ghost in the family, the new yorker

Rojas’ work referenced: “…West Coast modernism, Quaker art, Native American textiles, Byzantine mosaics, and Outsider art, Rojas tells stories through painting, installations, and video. Often her narratives concern relationships between the sexes and among humans and animals, in their struggle to find harmony and balance. Many works quietly celebrate the traditional strengths of women, depicting them like Russian nesting dolls in conventional roles without critical undertones or hints of sexual exploitation. Quilt-like patterns in vivid colors accentuate the folk art-inspired scenes present in some works, while simple geometric forms and stark interiors evoke Bauhaus design in others.” -clare rojas, biography, artsy.net

Over the past 8 or so years, her figurative, folk art-toned work has given way to pure geometric abstractions.  Her paintings are made with oil paint on both linen and paper.

Rojas also plays guitar and banjo under the stage name Peggy Honeywell. As Peggy Honeywell, she wore a long wig and flouncy calico dresses, and sometimes, because she was shy, a paper bag over her head. She has released two albums: Faint Humms (2005) and Green Mountain (2006)

MONO :: PURE AS SNOW 2010

from the album: Mono – Holy Ground: NYC Live With The Wordless Music Orchestra (2010)

MONO is a japanese post-rock band, formed in 1999 in Tokyo.  Pure As Snow was originally recorded on the 2009 concept album by Mono, Hymn To The Immortal Wind.  The album was recorded and mixed in June and November 2008 at the Electrical Audio Recording Studios, ChicagoIllinois, by Steve Albini. A music video for “Follow the Map” was released to promote the album. There is a short story enclosed with the CD to go along with the music. Continue reading MONO :: PURE AS SNOW 2010

Goodbye Pauline Oliveros, R.I.P.

Pauline Oliveros, famed composer, philosopher, educator and experimental music pioneer has passed away at the age of 84. 

-from FACT magazine:

“As a founding member of the San Francisco Tape Music Center in the 1960s, Oliveros collaborated with Terry Riley, playing in the first performance of Riley’s ‘In C’, and modular synthesist Morton Subotnick. She later became director of the Center, where she developed a philosophy of listening as a ritual and healing process, an approach she described through her coinage “deep listening”. Her Deep Listening Band specialized in performing recording in resonant or reverberant spaces, and her touchstone album Deep Listening was recorded in 1989 in a disused cistern 14 feet beneath the ground.

Her practice emphasised the difference between hearing and listening, as she told an interviewer in 2003. “In hearing, the ears take in all the sound waves and particles and deliver them to the audio cortex where the listening takes place. We cannot turn off our ears–the ears are always taking in sound information–but we can turn off our listening. I feel that listening is the basis of creativity and culture. How you’re listening, is how you develop a culture and how a community of people listens, is what creates their culture.”
From the 1980s onwards Oliveros focused on improvisation, particularly as an accordionist. She continued to teach at Rensselaer Polytechnic Institute and Mills College, publishing five books and becoming the recipient of several awards, until the end of her life.”

YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

Choreographed by Yvonne Rainer, 1966 & Performed by Yvonne Rainer August 14, 1978.  Film by Yvonne Rainer

‘In 1962, Dancer, choreographer & filmmaker Yvonne Rainer founded the Judson Dance Theater, named after the Judson Memorial Church where they performed.  ‘In her early works, Rainer focused on sounds and movements and often juxtaposed the two in arbitrary combinations. Somewhat inspired by the chance tactics favored by Cunningham, Rainer’s choreography was a combination of classical dance steps contrasted with everyday, ordinary, pedestrian movement. She used a great deal of repetition and employed narrative and verbal noises (including wails, grunts, mumbles, squeaks, and shrieks, etc.) within the body of her dances.Continue reading YVONNE RAINER : TRIO A – THE MIND IS A MUSCLE, PART I 1966

LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016

An excellent video produced by Museo Tamayo about their exhibition of Leon Golub’s work, entitled “Bite Your Tongue”. Curator Emma Enderby from the Serpentine Galleries, London discusses the survey exhibition, which charts Golub’s work from the 1950’s up to his death in 2004. Samm Kunce, Manager at Leon Golub & Nancy Spero Foundation for the Arts also discusses Golub’s work, his career and the exhibition. Continue reading LEON GOLUB: BITE YOUR TONGUE, career survey retrospective at Museo Tamayo, Mexico City, 2016

the International Poetry Incarnation, Royal Albert Hall, June 11, 1965

‘…the Underground was suddenly there on the surface’
Jeff Nuttall, author

‘All these people recognised each other and they all realised they were part of the same scene.’
Barry Miles, author

“The poets were not given any running order and the evening ran with seemingly little structure. Adrian Mitchell read his popular poem, a rant against the Vietnam War – To Whom it May Concern to huge enthusiasm. Allen Ginsberg read New York Bird by Russian poet Andrei Vosnesensky; the poet was present but forbidden to perform by the Russian authorities. To round off the evening Ginsberg read two 2 of his long poems – The Change and Who Be Kind To.

The audience were handed flowers as they entered the arena which, full of a heavy-drinking crowd, quickly became filled with a marijuana smoke, flying paper darts and foliage.”-Royal Albert Hall website Continue reading the International Poetry Incarnation, Royal Albert Hall, June 11, 1965