
BIG STAR :: THANK YOU FRIENDS, 1972
Big Star’s Thank You Friends is from their first album, the 1972 release, #1 Record. Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel formed the band in 1971.
“Alex Chilton was the lead singer for the blue-eyed soul group the Box Tops from 1967 to 1970, who scored a No. 1 hit with the song “The Letter” when he was sixteen. Following his stint with the Box Tops, he recorded a solo studio album. He was offered the role of lead vocalist for Blood, Sweat & Tears, but turned the offer down as “too commercial”. Chilton had known Chris Bell for some time: both lived in Memphis, each had spent time recording music at Ardent Studios, and each, when aged 13, had been struck by the music of the Beatles during the band’s 1964 debut US tour. A song Chilton wrote nearly six years after he first witnessed a Beatles performance, “Thirteen”, referred to the event with the line “Rock ‘n’ roll is here to stay”. Chilton asked Bell to work with him as a duo modeled on Simon & Garfunkel; Bell declined, but invited Chilton to a performance by his own band, Icewater, comprising Bell, drummer Jody Stephens, and bassist Andy Hummel. Attracted by Icewater’s music, Chilton showed the three his new song “Watch the Sunrise”, and was asked to join the band. Both “Watch the Sunrise” and “Thirteen” were subsequently included on Big Star’s first album, #1 Record. The now four-piece band adopted the name Big Star when one member was given the idea from a grocery store often visited for snacks during recording sessions. One of many Big Star Markets outlets in the Memphis region at the time, it had a logo consisting of a five-pointed star enclosing the words “Big Star”; as well as the store’s name, the band used its logo but without the word “Star” to avoid infringing copyright.”-wikipedia, Big Star Continue reading BIG STAR :: THANK YOU FRIENDS, 1972
HARRY PARTCH:: DELUSION OF THE FURY, original filmed performance, 1969, 72 min.
Delusion of the Fury: A Ritual of Dream and Delusion, A Film by MadelineTourtelot, Recorded at UCLA Playhouse 1969. Conducted by Danlee Mitchell, musician assembly Emil Richards.
Delusion of the Fury is a stage play by the American composer Harry Partch. The first draft for a new theater work for singers, mimes, dancers, and musicians, Cry from Another Darkness, was completed by Partch on December 30, 1964, and the second draft, dated January 17, 1965, was a fuller, longer, re-titled Delusion of the Fury. The work was originally conceived as a play in two acts, with a dramatic first act and a comedic second. Partch completed writing of the music on March 17, 1966. The piece employs Partch’s original system of micro-tonality, and was written for the largest assembly of his custom-made instruments used in any of his works. The instruments were an important part of the stage set.[2] Delusion of the Fury was premiered at the UCLA Playhouse on January 9, 1969, where it was recorded for Columbia Records. This remained the only performance of the piece until it was re-staged in 2007 by the Japan Society in New York. In 2013 the piece was staged for the first time in Europe at Ruhrtriennale by Ensemble MusikFabrik under the direction of Heiner Goebbels.This production toured to the Edinburgh International Festival in 2014. It received another performance in Paris as part of IRCAM’s ManiFeste festival in the Grande Salle of La Villette on June 18, 2016. -wikipedia
Continue reading HARRY PARTCH:: DELUSION OF THE FURY, original filmed performance, 1969, 72 min.
MICHAELA EICHWALD
Born: Cologne, Germany, 1967
Lives and works: Berlin, Germany
“Michaela Eichwald’s alchemical paintings and sculpture are simultaneously hypnotizing and visceral—integrating the artist’s hand in a manner that is both base and instinctually human. Whether its pouring resin into paper bags or injecting cooked mussels and hair elastics, among other things, the difficulty in digesting these works is intentional. In her attempt to ignore art historical tropes, Eichwald’s work evokes Outsider art and disarms the audience’s desire for narrative. The romanticism of the German painting tradition, grounded by Dieter Roth and Gerhard Richter, also influences her output and links it to a figurative inclination. Linking object and image, Eichwald forces her audience to reconsider the facades of realism and artificiality.”-artspace.com/michaela-eichwald
PLAYLIST: ROCK N ROLL RADIO SEASON 3- EPISODE 28, “THE SLEEPY”, by Burger Records
About the show
The Toms, Redd Kross, Melody’s Echo Chamber, Freezing Hands, The Resonars and more.
CHART POSITIONS
This upload was 18th in the Rock ‘N’ Roll chart , 31st in the Garage chart , 52nd in the Indie chart and 90th in the Rock chart .
PLAYLIST: PSYCHEDELIC FRENCH POP FROM THE 70s, by Doctor Donuts, via Mixcloud
JEAN-MICHEL BASQUIAT, Melting Point Of Ice, 1984

THE NELS CLINE SINGERS :: CANALES CABEZA
Nels Cline and his band was filmed at Johnny Brenda’s in Philadelphia by Out Of Town Films in 2014.
DAVID FOSTER WALLACE : in conversation with Charlie Rose 3/1997
DFW makes a return visit to Charlie Rose’s show and has a characteristically far-ranging conversation, while on the tour circuit for the release of his book of essays: “A Supposedly Fun Thing I’ll Never Do Again”.
JULIAN SCHNABEL: FOX FARM PAINTINGS, Pace Gallery, December 1989
27 years ago, in December 1989, Julian Schnabel showed a new series of paintings at The Pace Gallery which was coined by critic Thomas McEvilley as “The Fox Farm Paintings”. The paintings took a variety of shapes and forms but all were painted upon a deep, red velvet and incorporated the text: ”There is no place on this planet more horrible than a fox farm during pelting season.”
Below is a republished review of the show by Roberta Smith, for The New York Times:
Continue reading JULIAN SCHNABEL: FOX FARM PAINTINGS, Pace Gallery, December 1989