Seydou Keïta (1921 — 21 November 2001) was a Malian photographer. He is mostly known for his portraits of people and families he took between 1940 and the early 1960s and that are widely acknowledged not only as a record of Malian society but also as pieces of art.
Tag Archives: Photography
Santu Mofokeng
Santu Mofokeng (1956) is a South African news photographer who works under the alias Mofokengâ. Mofokeng is a member of the Afrapix collective and has won a Prince Claus Award.
PIETER HUGO :: The Hyena & Other Men (2005-2007)
Pieter Hugo was born 1976 in Johannesburg, South Africa. He is a photographer who primarily works in portraiture and whose work engages with both documentary and art traditions with a focus on African communities. Hugo lives in Cape Town.
Julius Shulman :: photo of Richard Neutra’s Stahl House, Hollywood Hills, CA, 1960

VIVIAN MEIER, UNTITLED 1955

Shimazu by Ichiki -the oldest daguerreotype by a Japanese photographer
Ichiki Shirō, 市来 四郎 was born in Satsuma province, Japan on December 24, 1828. He rose up within the castes of Satsuma’s feudal society by showing an exemplary skill in the production of gunpowder and was selected by the Satsuma’s daimyo (feudal lord), Shimazu Nariakira to be his personal retainer. Fascinated by western technology, in 1848, Shimazu obtained the first daguerreotype camera ever imported into Japan and encouraged his retainers to study it and learn to create photographs with it. Continue reading Shimazu by Ichiki -the oldest daguerreotype by a Japanese photographer
Thomas Lautenschlag :: Berlin-Mitte, 1931

Marc Riboud :: Paris, May 1968

Vito Acconci, Photomatic Enunciation Piece (“Anything Goes”), 1969

“As Acconci’s art shifted from poetry to body-oriented performance in the late 1960s, he often incorporated photography as a means of returning his art to the page and of creating something that would last beyond the moment. This work, dubbed a “photomatic enunciation piece,” is a photo-booth strip showing five random flashes of the automatic camera as the artist sang Cole Porter’s 1934 song “Anything Goes” with exaggerated clarity. Merging performance, chance occurrence, conceptual art, and an assertively anti-art process, Acconci’s work is quintessentially of the 1960s.” –the Met
– Daido Moriyama