Videos

JOHN GIORNO :: NO GOOD DEED GOES UNPUNISHED, 2007

JOHN GIORNO:  NO GOOD DEED GOES UNPUNISHED

2007

If you’re going to make my life miserable, or bring me bad news, hang up now, but if you’re going to bring joy into my life, and bring me great news, you, I want to talk to, start talking. I want to walk down runways into bathrooms I never been before, I want to walk down catwalks into toilets I never been before, I want to walk down catwalks into toilets I never been before, get what you want, ecstasy and viagra, we do anything and everything you want, too much is not enough, And sometimes, drugs and alcohol numb the nerves numb the nerves, allowing the natural clarity of the mind to flow free, like an auto accident you can’t keep your eyes off it like an auto accident you can’t keep your eyes off it, no good deed goes unpunished I want to rub my face in it and I want to roll in it I want to rub my face in it and I want to roll in it I want to rub my face in it and I want to roll in it, and eat the smell, and the sheer joy of swimming, absolute bliss in bottomless sewers, absolute sewers and bottomless bliss, completely pure, completely pure completely pure completely pure completely pure, primordially pure and empty, eating the sky eating the sky eating the sky eating the sky eating the sky, millions of stars come into my heart, welcome home. Hammering nails into steel with a fist full of water, hammering nails into steel with a fist full of water, hammering nails into steel with a fist full of water; and grabbing a handful of snow from the fire. Many years ago, I thought I could fly, and maybe, I got off once.

 

John Giorno (1936)

Produced by NoeltanFilm

ROMAN POLANSKI, in conversation with Clive James, 1983, 58 min.

Writer/Critic Clive James Meets Roman Polanski — A rare TV documentary filmed in 1984. Running 46 minutes and encompassing a wide variety of topics Polanski speaks frankly about his childhood in the Warsaw ghetto, his mothers death, his beginnings in filmmaking, his tragic marriage to Sharon Tate and eventually even his arrest for sexual assault.  Fantastic interview.

Rare Folk Rockabilly – THE KENTUCKY RAIDERS :: I DIDN’T REALIZE 1965-68 private pressing

A haunting ballad by The Kentucky Raiders, from their album “The Old Highway.” Old-time vocals mixed with hard time country blues.

Original Private Press, Breeze 178, Mono.  Released somewhere between 1965 and 1968, I would guess. One of the few clues I have is on the album cover, which states “This record plays excellent on stereo equipment”. This directly implies that this LP is recorded in mono. I have not seen this type of statement on any U.S. LP cover after 1967 or 1968. -POPSIKE.COM

Album: The Old Highway
Breeze Records LP-178 `                                                                                                                           1965-68

MARGARET ATWOOD, in conversation with Patty Satalia for WPSU

Award-winning Writer and Environmental Activist Margaret Atwood discusses her career.with Patty Satalia.  Produced by WPSU, Public Media For Central Pennsylvania.

Margaret Atwood was born in 1939 in Ottawa, and grew up in northern Ontario, Quebec, and Toronto. She is the author of more than forty volumes of poetry, children’s literature, fiction, and non-fiction, but is best known for her novels. Atwood’s work has been published in more than forty languages. She was honored with the 2014 Medal for Distinguished Achievement from Penn State’s Institute for the Arts and Humanities.

YOKO ONO :: CUT PIECE documented by The Maysles Bros, Carnegie Recital Hall, New York, March 21, 1965

 

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“In this performance Ono sat on a stage and invited the audience to approach her and cut away her clothing, so it gradually fell away from her body. Challenging the neutrality of the relationship between viewer and art object, Ono presented a situation in which the viewer was implicated in the potentially aggressive act of unveiling the female body, which served historically as one such ‘neutral’ and anonymous subject for art. Emphasizing the reciprocal way in which viewers and subjects become objects or each other, Cut Piece also demonstrates how viewing without responsibility has the potential to harm or even destroy the object of perception.” -Art & Feminism, Edited by Helena Reckitt, with a survey by Peggy Phelan

Yoko Ono was a major figure in the 1960s New York underground art scene, and she continues to produce work and make headlines today. Of several iconic conceptual and performance art pieces that Ono produced, the most famous is Cut Piece (1964), first performed in Tokyo, in which she kneeled on the floor of a stage while members of the audience gradually cut off her clothes. In the ’60s and ’70s Ono was associated with the Fluxus movement—a loose group of avant-garde Dada-inspired artists—and produced printed matter, such as a book titled Grapefruit (1964) containing instructions for musical and artistic pieces. Other works include Smoke Painting (1961), a canvas that viewers were invited to burn. John Cage was a major influence and collaborator for Ono, as was the godfather of Fluxus, George Maciunas.

Continue reading YOKO ONO :: CUT PIECE documented by The Maysles Bros, Carnegie Recital Hall, New York, March 21, 1965

VITO ACCONCI:: PRYINGS, 1971 17 min.

1971, 17:10 min, b&w, sound

A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of male/female interaction, a study in control, violation and resistance. The camera focuses tightly on Kathy Dillon’s face, as Acconci tries to pry open her closed eyes. Dillon resists, at times protecting her face or fighting to get away. Locked in a silent embrace, the couple’s struggle is violent, passionate; Acconci’s sadistic coercion is tinged with a sinister tenderness. The body is a vehicle for a literal enactment of the desire for and resistance against intimate contact.

Acconci writes, “The performer will not come to terms, she shuts herself off, inside the box (monitor), my attempt is to force her to face out, fit into the performer’s role, come out in the open.”

THE PAINTING TECHNIQUES OF FRANZ KLINE, AB EX NY, via MoMA 4 min

Aother great, short piece from the Ab Ex series, this one about Franz Kline’s materials a process. 4 min.  From the MoMA archives.

Filmed by Plowshares Media
Images courtesy of The Franz Kline Estate; Kate Rothko Prizel & Christopher Rothko; Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York
Music by Chris Parrello
Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz
© 2010 The Museum of Modern Art